1969(performed at Woodstock) California
2012-09-29
2012-09-24
Douglas Gordon
The End of Civilisation (still), 2012
The End of Civilisation (still), 2012
Three screen video installation with sound
Dimensions variable
Ed. of 3
Burned Baby Grand, 2012
Burned baby grand piano
Dimensions variable
The End of Civilisation at Gagosian Gallery West 21st Street
1966- Glasgow, Scotland / NY
2012-09-20
2012-09-11
Niele Toroni
Impronte di pennello nº 50 a intervalli di 30 cm, 1993
Acrylic on pine wood150 x 140 x 2 cm
Impronte di pennello nº 50 a intervalli di 30 cm, 2008
Acrylic on aluminum120 x 120 x 120 cm
Exhibition view, Zuoz, 2004
Impronte di pennello nº 50 a intervalli di 30 cm, 1997
Paint on paper100 x 70 cm
Impronte di pennello nº 50 a intervalli di 30 cm, 1997
Paint on paper100 x 70 cm
1937- Muralto-Locarno, Switzerland / Paris
2012-09-09
Robert Filliou
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galerie legitime (robert filliou's hat)
"inside my cap, on top of my head, i had small works of mine---at that time i used to make things where i used measurements, or i mummified them. then in the streets of paris i would walk through the streets, and i would come up to someone and a typical dialogue might be: "are you interested in art, monsieur or madame?" and if they said, "yes, yes," i would say: "well you know i have a gallery." and if they expressed some interest i would say: "here it is." there inside my hat were the works. they were perhaps a little bigger than this grape. and then we would look at the works.
"inside my cap, on top of my head, i had small works of mine---at that time i used to make things where i used measurements, or i mummified them. then in the streets of paris i would walk through the streets, and i would come up to someone and a typical dialogue might be: "are you interested in art, monsieur or madame?" and if they said, "yes, yes," i would say: "well you know i have a gallery." and if they expressed some interest i would say: "here it is." there inside my hat were the works. they were perhaps a little bigger than this grape. and then we would look at the works.
so with the galerie légitime i could go through the streets, i could go also inside houses and other buildings, and many things happened to the galerie légitime. for instance, when i was in germany with another version i lost it, so i went around frankfurt looking for my gallery. at another time my gallery was stolen."
-robert filliou (from porta filliou, video, 1977)
Je meurs trop, 1977
Poussière de poussière, n. 30-100, 1977
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from Games at the Cedilla or the Cedilla Takes Off by George Brecht and Robert Filliou, Something Else Press, 1967
1926-1987 / Sauce, France
2012-09-03
Kumie Tsuda
My first garden, 2012, ceramic, 4 1/2 x 11 x 10 in.
1.14.2010, 2012, Color photograph, 9 1/2 x 14 in.
1980- Kanagawa, Japan / Los Angeles
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