1987 Newcastle upon Tyne, England, UK
2012-04-28
2012-04-25
Daniel von Sturmer
The Field Equation (Sequences 3, 5, 6 & 7)
2006, (4 sequence / 4 screen) digital video installation, edition of 3
Screen Test
2004 Dunedin Public Art Gallery, New Zealand, 4 Screen video installation and Kinetic object
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THE CINEMA COMPLEX
2010, ANNA SCHWARTZ GALLERY, SYDNEY, 7 SCREEN HD VIDEO INSTALLATION
The Truth Effect
2003, Australian Centre for Contemporary Art, 5 Screen video installation
1972- Auckland, New Zealand
Lauren Brincat
Your Move
2012, Timber, vinyl paint, 433 x 500 x 5 cm
Golden Stranger
2012, Timber, vinyl paint, 433 x 500 x 5 cm
Warmup Laps
2010, Video documentation of an action
It's a Long Way To The Top
2009, Single channel performance video, 8:03 minutes
Live When I'm Alive, Sleep When I'm Dead (no.1)
2007, Single channel performance video, 1:27:14 minutes
Push Me Pull You
2009, Performance, 11:43 minutes
1980- Sydney, Australia
2012-04-24
2012-04-23
Boris Dornbusch
Paints (2009)
Involving all members (2008)
box of paracetamol tablets
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Slow change (2009)
1974- Wiesbaden, Germany / Berlin
2012-04-22
2012-04-21
2012-04-20
AREA 51 / THE ARRIVAL
2012 Classified...
(- AREA 51: MISSION STATEMENT - The AREA 51 Crew are the direct descendants of the ‘original people’ who first came to Earth 450,000 years ago. They have their main base on Mars and a secondary base on the far side of the Moon. They have been charged by the members of their ancestral home Niburu with the duty of monitoring the vibratory levels of Earthlings. The medium they use is music. In this era, AREA 51 has taken notice of the phenomena called Hip-Hop. Intrigued they touched down in 20?? for a 24-hour period where they befriended Hybrid Grey and a few human emcees.)
(- AREA 51: MISSION STATEMENT - The AREA 51 Crew are the direct descendants of the ‘original people’ who first came to Earth 450,000 years ago. They have their main base on Mars and a secondary base on the far side of the Moon. They have been charged by the members of their ancestral home Niburu with the duty of monitoring the vibratory levels of Earthlings. The medium they use is music. In this era, AREA 51 has taken notice of the phenomena called Hip-Hop. Intrigued they touched down in 20?? for a 24-hour period where they befriended Hybrid Grey and a few human emcees.)
2012-04-19
2012-04-17
Sebastian Stumpf
High Walk 3, 2010, 70x70cm, C-Print
Video Still from 'Neue Räume', 2009, HD Video Projection, 8:34 min, Loop
marcher dans l’air«, 2002, slide-projection as loop, dimension variable
marcher à l'envers«, 2002, slide-projection as loop, dimension variable
Familie(II), 2004, 90x120cm, C-Print
Rehe 4, from the Serie Safari, 2005, 50 x60 cm, c-print, diasec
Fuchs 2, from the serie Safari, 2005, 50x60 cm, c-print, diasec
Touristen, from the Serie ‚Im Grünen’, C-Print, 90x120 cm
Sukima (standing on doors or walls between gaps), 2009, 28 C-Prints, each 45x33cm, Ed. 5
Sukima - Installationview, Galerie Kleindienst 2009
video still from»basement garage«, 2008, HD-Video-Projection, 12 min, Loop, dimension variable
Installation View, Galerie Kleindienst 2009
Installation View, Galerie Kleindienst 2009
video still aus »Trees«, 2008, HD-Video-Projection, 32 min, Loop, Dimension variable
Installation View "Performance #20", Landesgalerie Linz, 2009, 54 Seconds, Loop
Installation View "Performance #16", c/o Berlin, 2008, 52 Seconds, Loop
1980- Würzburg, Germany / Leipzig, Germany
2012-04-16
Terence HANNUM
Unicursal Hexagram, 2009, Lambda print, 27.5 x 19.5 inches
Krallice, 2010, graphite on Bristol, 11 x 14 inches
Liturgy, 2008, graphite on Bristol, 11 x 14 inches
Cape, 2010, Lambda print, 27.5 x 19.5 inches
Installation view. Left to right, Alexander Binder, Grant Willing and Christopher Szpajdel
Pentagon IV, 2011, gouache on paper, 22 x 22 inches
1979- NJ, USA
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